Saturday, March 10, 2012

Plaza x



Susan Kinchla Augusta I would say just about 1962. Originally, the Stop and Shop was there by itself and the rest of the stores were added later. Can remember when Friendly's first opened, probably spring/summer of '62.
Anne Kinchla Spaes Remember Stop & Shop with the roller belt. They would pack the groceries and send them out on the rollers in the galvanized buckets and my mom's big bad station wagon would drive up and they would load them in the back!

he rollers were at the Aan P where windfall is now not the first national I worked there 1960

Green pond boat ramp x



Paul Anderson when i worked at the marina i used to sit on the gas dock early saturday morning and watch rookie day at the ramp.lol
J oey, If they only had you tube back then..Maria i ran the travel lift and drove the truck. I was there in 90 -91 .Hurricane Bob and an alcoholic owner put the place out of business..

Friday, March 9, 2012

Uncatena and other ferries

The Uncatena was a sidewheel steamer operating as a ferry serving the island of Martha's Vineyard during the beginning of the twentieth century.
The Uncatena was built in Wilmington, DE in 1902, and named after Uncatena Island, one of the Elizabeth Islands. It was 652 tons.[1] It started service immediately to Martha's Vineyard for the New Bedford, Martha's Vineyard, and Nantucket Steamboat Co.[2] It was the first steamer serving the island built with a steel hull,[3] and the first with a propellor.[4] The paddles were housed in the superstructure, and an outline of the paddlebox appeared on its sides.[3]
The Vineyard Gazette wrote in June 1961:
"The Uncatena, built in 1902, was 187 feet long, and had a 31-foot beam. An innovation in her construction was the placing of her shaft low enough so that passengers, boarding the boat by way of the freight deck as was often necessary, walked over it on an incline. On the older boats they had to duck their heads and pass under the shaft. She had a guaranteed speed of 15 miles an hour, and she often showed her heels to other boats of the line. The Uncatena was the only sidewheeler of the Island line to have a poem, written to her and about her by the Pulitzer Prize poet, Robert Hillyer, in 1948. The title of this nostalgic poem was In Memoriam Sidewheeler Uncatena, and it was aboard the Uncatena that Mr. Hillyer, lifelong lover of the Island, first came to the Vineyard in the early years of this century." [3]
Capt. Marshall (evidently Francis J. Marshall (1857–1933) of Edgartown[5]) and Capt. Sylvia were both masters of the Uncatena[6]
The Uncatena was retired from service in 1928, after 26 years of operation.[7]

inal chapter: The Islander and other bygone ferries

The beloved Islander, gone now from Vineyard waters for three-and-a-half years, got this writer thinking about the fate of Island ferries from decades past.
BY KARL ZIMMERMANN
The Islander
A full moon rises over East Chop and the Islander in this 2006 photograph by of Seaworthy Gallery in Vineyard Haven.
Thirty years ago, the ferry Islander carried me to the Vineyard on my first visit, and on that crossing we met the Naushon, steaming toward Woods Hole. Both boats are gone now, of course, as are two other ferries that served the Vineyard and Nantucket back in those days – the Uncatena and Schamonchi. The ferries have always been the Island’s lifeline, and their particularities stay with us – in historical documents, in photographs, and in our memories – even after the boats sail away for good. However, most of those vessels themselves now are lost, gone to scrap or headed that way.
The workhorse Islander, a gritty, seemingly indestructible vessel built in 1950 in Baltimore by Maryland Drydock Company, came to be a constant in my Vineyard experience. The Islander was the first drive-through boat built for Vineyard service and the first that could carry trailer trucks – a huge change in the way freight would be delivered to the Island in the years to come. Not only that, it could hold nearly twice as many automobiles as its most recent predecessors. As the longest- serving boat in Vineyard history, the Islander achieved an illusion of permanence that caused its retirement in March 2007 to be particularly wrenching. I made my last crossing in her stalwart hull with nostalgia and special regret.
Almost immediately, however, sorrow turned to elation. Not only did the Islander appear to have a future, but that future would be in my other home waters – New York harbor. In August of that year, the Governors Island Preservation and Education Corporation (GIPEC) paid $500,000 for the Islander to ply the eight hundred yards from Manhattan’s Battery Maritime Building to the Soissons Dock on Governors Island – a run that could be considered semi-retirement after the Islander’s more than half a century of shuttling the seven miles from Woods Hole to the Vineyard and occasionally even farther, to Nantucket.
By the end of the year, the vessel was berthed at Governors Island’s Yankee Pier; it was a humble companion to the Queen Mary 2 and other mammoth cruise ships that dock just across Buttermilk Channel. The corporation hoped to use the vessel to help handle the growing crowds that were making a day trip to the spacious grounds and historic buildings of the island, managed by the National Park Service.
In an interesting aside, a Governors Island ferry – named, appropriately, the Governor – came to the Vineyard for the 1998 summer season and remains here today as a freight boat. An open-deck vessel, it was built in 1954 for West Coast service between San Diego and Coronado, and later served the Washington State Ferries. The Governor was then acquired by the U.S. government and placed in Governors Island service, before moving on to the Vineyard, where it has served well these past twelve years.
Islander Marthas Vineyard Nobska
In 1947, a trio of Island ferries at Vineyard Haven’s Water Street dock included, left to right, the Islander (built in 1923 as the river ferry Hackensack), the Martha’s Vineyard (built in 1923, originally named Islander), and the Nobska (built in 1925, renamed Nantucket, later changed back to Nobska). Photo courtesy Seaworthy Gallery
Sadly, the same cannot be said about the Islander at its new island. Early in 2009, hopes for the Islander’s return to service were dashed and a wealth of recriminations ensued. Engineers were able to give the boat the kind of inspection that (according to GIPEC) time pressure had prohibited before the initial auction. They found it in poor condition and in need of more than $7 million in repairs. GIPEC admitted that the purchase had been a bad idea, and in February 2009 offered the boat for sale on eBay. The winning bid – from Donald Slovak, an upstate New York scrap collector – was $23,600. The boat remained for a time at Yankee Pier, as the Governors Island agency at first wouldn’t release it, claiming the purchaser lacked proper insurance. Earlier this year, however, it was purchased by Donjon Marine Company, headquartered in New Jersey, and moved to Port Newark for scrapping.
Nevertheless, the Islander’s extended stay on Governors Island did give me another occasion to say goodbye to this old friend. In late May last year, I crossed from the Battery – aboard the 1956 ferry Lt. Samuel S. Coursen, another old-timer, one that has spent its entire life in the same service – to visit the Islander, no doubt for the final time. Though one newspaper report had described the vessel as a “useless rusting hulk,” it looked in fairly decent shape to me: slightly rust-spotted, to be sure, but its tapered black band was unmistakable, its gold-on-black name boards still in place, though not for long.
The Islander, of course, is not the only bygone Vineyard boat with a story worth telling. Featured here are five other ferries that served the Island, and all are vessels that – during or following their service to the Island – I’ve encountered personally.
Martha’s Vineyard, built in 1923
The Martha’s Vineyard – launched as the Islander in 1923 at Bath Iron Works in Maine and renamed in 1928 – marked a radical change and dramatic step forward in steamboat service to the Islands. As a steel-hulled, propeller-driven vessel, it was significantly unlike its wooden-hulled, side-wheel predecessors and proved so successful that within five years it would gain two virtually identical sisters, the Nobska and the New Bedford. By the end of the decade, another similar but somewhat more well-endowed sister, the Naushon, would join them.
Curiously, I met Martha’s-Vineyard-the-boat more than a decade before setting foot on Martha’s-Vineyard-the-island. In 1968 I’d gone to Bridgeport, Connecticut, hoping to board the steam-powered Catskill, a 1924 freight-boat-style vessel, and steam across Long Island Sound to Port Jefferson. As it turned out, the Catskill was gone. Instead I encountered the rumble of a diesel boat – a significant disappointment, though the replacement had fetching lines and, no doubt, some history of its own. It was the Martha’s Vineyard, which had swapped its steam plant for diesel in 1959. On subsequent crossings, I’d accord this classic vessel much more reverence.
The Martha’s Vineyard had ended regular service for the Steamship Authority in October 1956 and three years later was sold to Rhode Island Steamship Lines, which made the steam-to-diesel conversion. After summers of intermittent use in Massachusetts waters, the boat was chartered in 1968 and later purchased by the Bridgeport & Port Jefferson Steamboat Company. It remained in service between those port cities until 1985, at which point a preservation group called Friends of Nobska tried to purchase it. (The Friends originally hoped to restore and convert the Nobska to a working steam ferry and museum, but since it was not for sale at the time, they turned their attention to its sister boat, the Martha’s Vineyard.)
Though the Martha’s Vineyard deal came tantalizingly close to completion, it ultimately fell through. The boat was sold instead to the Massachusetts Bay Lines and went to Boston harbor. Plans to convert it for dinner cruises never reached fruition, and it remained docked at the Charlestown Navy Yard. Late one night in 1990, with the tide dropping, the boat’s guard rail snagged the pier and, dangling by its mooring lines, the vessel began to list – and then to take on water. A tug was summoned to help but arrived too late, and the Martha’s Vineyard sank. It was scrapped in situ, a sad ending to a once-promising scenario for the Friends and all lovers of maritime steam.
Nobska, built in 1925
As a newcomer to the Vineyard in 1979 and a longtime aficionado of classic steamboats, I was sorry I’d missed the Nobska, a near-exact copy of the Martha’s Vineyard that was also built by Bath Iron Works. The Nobska had served the Vineyard and Nantucket for close to half a century – an impressive record later surpassed by the Islander – before its 1973 retirement. The following year it was listed on the National Register of Historic Places, and in 1975 was sold to become a (soon-failed) restaurant in Baltimore.
On the Vineyard, I joined the Friends of Nobska, which was dedicated to bringing it back to the Islands as a living museum to the age of steam. The group hoped to run the Nobska during the summers on a daily round trip between New Bedford and the Vineyard. For the better part of three decades, I alternatively exulted in the dreams and suffered through the defeats of that group (which, as it became more professional, morphed into the New England Steamship Foundation in 1994).
After years of trying (and the failed flirtation with sister boat Martha’s Vineyard), the Friends finally acquired the Nobska in 1988 and brought it north. The steamer went first to Fall River, then to Providence, and finally to home waters in New Bedford. At each of these locations, volunteers worked to stave off further deterioration and made small steps toward restoration. In 1995 the boat was towed to the Charlestown Navy Yard in Boston harbor where, over more than a decade, a $3 million grant – not nearly enough to do the whole job – and other funds were committed to its dry-docking and restoration. Eventually this long-running grass-roots effort foundered in controversy, apparent fundraising malfeasance by outside groups, and bankruptcy. When the dry dock space occupied by the Nobska was needed for work on other vessels – the USS Constitution, the inarguably invaluable 1797 wooden-hulled frigate, and the USS Cassin Young, a destroyer commissioned on December 31, 1943 – the Nobska had to go. On the last day of May in 2006, a wrecking ball began its attack on the historic steamer, ending the long up-and-down dream of restoring the vessel.
The Steamship Authority didn’t help the Nobska’s cause when in 1995 it refused to license the Vineyard as a port should the vessel be restored. But it has since acknowledged the boat’s place in Island history by installing the Nobska’s whistle (now blown by air, not steam) on the ferry Eagle, its main boat since 1987 on the Hyannis-Nantucket run. Atop the newly rebuilt Steamship Authority terminal in Oak Bluffs, which opened this past May, the cupola overlooking Nantucket Sound is crowned by a weather vane by Island metal sculptor Anthony Holand: a forty-two-inch replica of the Nobska crafted in copper repouss é with gold leaf highlights.
New Bedford, built in 1928
The New Bedford, built at the Fore River Shipyard in Quincy, served the Islands from 1928 until 1942. Though very much like her two older sisters, this boat had slightly more space on the car deck for automobiles, which caused a reduction in passenger amenities that made this steamer somewhat less revered than her two sisters.
Along with the Naushon of 1929, the New Bedford was requisitioned by the War Shipping Administration and sent to Britain in 1942, where the pair served as hospital ships and troop carriers. Both were part of the Normandy invasion, and eventually both returned to the States, but neither to Vineyard waters. That early Naushon was rebuilt as the excursion boat John A. Meseck for Meseck Steamship Line, running from Manhattan and Jersey City to Playland Park in Rye Beach, New York, and to Bridgeport, Connecticut, eventually ending its career with the Wilson Line. (Laid up in 1961, the former Naushon was scrapped in 1974, at the now-defunct yard in Camden, New Jersey, that had built the Naushon of 1957.)
From 1949 through 1955, the New Bedford ran in summer service from Providence to Newport and Block Island for the Sound Steamship Lines. After a dozen-year lay-up, it went to a noted marine graveyard. On the last day of November 2009, drizzly and dank and dark, I went looking for a boat I’d never seen, this look-alike sister to the lost pair I had known. I traveled to Rossville, Staten Island, on the Arthur Kill, a stretch of water that separates Staten Island from New Jersey. There, among a veritable fleet of derelict vessels at Witte Marine scrap yard, now Donjon Marine (the company that will “recycle” the Islander), I found the New Bedford, sandwiched between a barge and a double-ended ferry. I’d come when the tide was low, and I tramped through marsh grass littered with flotsam and jetsam to the edge of the Arthur Kill’s flats, fresh and strong smelling, a rank yet pleasing aroma that spoke of the water’s edge. Mired in mud, the corpse of the New Bedford was easy to spot. This once elegant steamer – its superstructure and tall stack all red-brown with rust and listing dramatically – was an unmistakable ghost from steamboating’s past.
Nantucket/Naushon, built in 1957
The Nantucket, renamed Naushon in 1974 to clear its original name for a new ferry, was an anachronism from the very first. Delivered by J.J. Mathis Shipbuilding Company of Camden, New Jersey, for Nantucket ferry service in 1957, it was a steamboat well into the age of diesels. Even the Steamship Authority itself had designed and built a diesel vessel, the Islander, seven years earlier. Especially at first, it was not universally loved. Compared to the Martha’s Vineyard, which it replaced, this Nantucket was bulky, a bit ungainly, with a bulging prow and unconventional stern designed to allow run-through loading and unloading of trucks and cars. Unfortunately, the boat’s sheer – the upward sweep of deck, traditionally a mark of maritime elegance – made this unworkable, and the bow sea gate was never used.
This vessel claims the distinction of being the last reciprocating steamboat ever built, though the term “steaming” has survived to describe the progress of diesel-powered vessels such as the Islander. The Nantucket/Naushon was equipped with Skinner Uniflow engines, the most sophisticated of piston- driven steam plants, but its use of steam propulsion made the boat crew-intensive and gluttonous with fuel. However, by the time of its retirement in 1987, the Naushon had become something of a favorite for its spaciousness and the smooth, vibration-free ride typical of steam-powered vessels. The boat offered staterooms, useful especially for the longer Woods Hole–Nantucket journey, that were a link to a bygone era of travel.
After retirement by the Steamship Authority – as the last steam-powered ferry in regular service in North America – the Naushon was acquired by Joseph G. Pallotta Jr. for his Bay State Cruises. He intended to use the boat, probably dieselized, as a floating restaurant and dance hall in Boston harbor, but the Naushon sailed there only once. Pallotta soon recognized the impracticality of his plan, so in March 1989 the boat got a new owner and headed south to Bender Shipbuilding and Repair Company in Mobile, Alabama, for conversion to a floating casino and nightclub. It emerged as the Cotton Club Casino, with a boxy appendage on the top deck and a new, pointed prow reminiscent of the false nose an actor might wear to play Cyrano de Bergerac.
The boat shuttled among casino venues – Lake Ferguson, Louisiana, and Greenville and Lakeshore, Mississippi – finally arriving at its present home in Tunica, Mississippi, far up the Mississippi River at Mhoon Landing, a now-moribund casino site. There it floats in a trench that was dug to bring it away from the Mississippi itself. Sealed off from the channel, which fills only once or twice annually at high water, it still meets the “afloat” requirement for a casino. Some years ago, the water drained out of the boat’s tiny, enclosed world, and it capsized, but it has since been righted. Like the empty casino next to it, the Cotton Club is essentially abandoned, derelict, with no likely future except the scrapper’s torch.
Uncatena, built in 1965
About two years after the Nobska was cut up in 2006, another former Steamship Authority boat went to scrap. This one, the Uncatena, built in 1965 by Blount Marine in Rhode Island, was far less beloved that the elegant Nobska. Its scrapping in 2008 in Florida went essentially unnoticed on the Islands it once served. The Uncatena was sometimes called the “Tin-can-tena,” and I’ve heard that the moniker “Junkatena” was bandied about as well. By the time I met the vessel, it had been “stretched” by the addition of a fifty-two-foot center section.
The Islands were becoming more popular in the 1960s, and the Uncatena had originally been intended as a small, fast, auxiliary ferry to sweep up remnants of traffic that the fleet’s larger boats – the Nobska, Islander, Nantucket – couldn’t handle. It quickly proved too small, which led to its lengthening in 1971 at Bromfield Shipyard in East Boston. Though this extra length added passenger space, stability in rough seas, and crew living quarters, it didn’t do much to improve the boat’s dowdy lines, with the vessel’s windows slightly out of true after reassembly.
The Uncatena ended its Steamship Authority service in 1993. Like many retirees it headed south, to Florida’s east coast, where its new name, Entertainer, reflected its role as a gambling ship for Casino Miami Cruises. “Casino Miami” was bannered across the hull in huge letters, bow and stern were slathered with art invoking the tropics, and the interior bulkheads were adorned with undersea murals. Windows were cut in the car deck walls, as that deck was converted to passenger use, and an upper superstructure was added where originally there had been open deck. Beginning in 1997, the Entertainer began making gambling cruises, but there was too much competition in the Miami area for the boat to be profitable.
Eventually the Uncatena-turned-Entertainer changed coasts, ending up in Tampa. There it was renovated still further, with plans to base it in nearby Tarpon Springs. Then in 2004 along came Hurricane Ivan, which thoroughly disrupted the life of the boat’s Pensacola-based owner, Charles Liberis. By the time he could once again turn his attention to the Entertainer, the Seminole Indians were developing land-based casinos, with which casino boats could not compete, and the vessel was scrapped.
Schamonchi, built in 1978
The Schamonchi, built in Maine, had a decades-long and successful history plying the waters between New Bedford and the Vineyard for a privately owned company. In 2001, the Steamship Authority purchased this bare-bones, passenger-only boat and operated it – at significant losses – through the 2003 summer season. In 2005, after two years in lay-up, it was sold for $105,000 (a fraction of what the Steamship Authority had paid to buy it and docking rights in New Bedford) to Caribbean Shipping and Marine Services of Flushing, New York, and headed for New York harbor. The new owner’s plans were to convert the Schamonchi into a party boat – an all-too-familiar and typically doomed plan but in New York, sans gambling, particularly hopeless. Two years later, it was listed on www.yachtworld.com and sold to a new owner.
I’d nearly forgotten about the Schamonchi until the fall of 2008. While cruising aboard a Circle Line vessel on a charter up Newtown Creek, an estuary of Manhattan’s East River, I saw a boat with familiar lines. Its windows were fogged, and some were boarded over. Tuscan red primer covered swatches of its flank. On the stern, largely obliterated by rust but still legible, was the name “Schamonchi.” On deck, a couple relaxed on a bench and waved to us as we passed. The boat looked a bit like an oversized, under-maintained yacht. Two months later, a feature article in The New York Times explained that five residents, free spirits willing to rough it with no regular plumbing and little heat, now called the boat home. Their 6,000-square-foot floating lodging was properly registered, according to its owner, though iffy as to docking rights. When summer came, he hoped, they might fire up its Cummins diesels and cruise to a less urban setting, someplace like Long Island Sound. Perhaps they did, but when last sighted the boat had been moved to an even more industrial location further up the estuary – English Kills, in East Williamsburg, Brooklyn.
Farewell, my lovelies


Hauntings

http://www.thisoldhouse.com/toh/photos/0,,1551301_1227280,00.htm

lFalmouth
HighField Hall -Footsteps, Apparition
Nimrod Restaurant - Apparition, Footsteps, Moving Objects
Gas Light Inn-Apparition, Lights on/off, Moving Objects, Footsteps, Smell
Wildflower Inn-Apparition-Interaction, Moving Objects, Sounds
Village Green Inn-Apparitions, Moving Objects,

Highfield Hall, 56 Highfield Drive, Falmouth
Highfield Hall, an immense building with more than 25 rooms, was built in 1878. Its hauntings are said to have started
in the 1950s. A former owner and his friend heard the ghostly sounds of a woman in high heels coming down the main staircase.
A few years later, a visitor came after a major hurricane when the electricity was out. He fled after he saw the apparition
of a woman lunge down the main staircase toward him.
The Village Green Inn, 40 Main St., Falmouth
The mysterious image of a man fitting the description of the senior Dr. Edwin Tripp has been seen wandering around the
house where he once practiced medicine. Dr. Tripp, who died in 1953, first bought the house in 1913. In his later years, he
was known for his stooped posture and for wearing flannel shirts. It is in this guise that Dr. Tripp is seen by guests as
he shuffles down the hall.

Wednesday, March 7, 2012

Movie theatres

Gone, but not forgotten
“Closed Forever” were the final words written on the old marquee outside the ElizabethTheater on Main Street in Falmouth after being opened for 63 years. Until 1983 when it “closed forever,” the elegant, “art-deco” Elizabeth had been open year-round and was always booming. As you walked into the theater, you would be met by an usher with a small flash light and you followed him down the isle to your seat. Longtime Falmouth resident, Sheryl Lopes, explained, “You were not allowed out of your sit until intermission. Then it was a knock down drag race to the candy counter.”
eliz350_350            The single-screen Elizabeth boasted 900 dark maroon velvet seats and even balcony seating. “I remember trying to get to the movies as early as you could to get to sit up in the balcony. As I got older, it started to get to be where all the older kids wanted to go and make out, and they wouldn’t let the younger kids up there. It was really hot though because there was no AC,” said Janet Murphy, a Falmouth resident.
            Before movies had sound embedded in them, there used to be musicians who played the music to accompany the silent films. As the largest building in town in the 1920s, the Elizabeth used to host theatrical performances, town meetings, and other events. Before movies were played, the news was shown because televisions were not around yet.
            Decades later, during the 1960s and 1970s, there were still live performances at the Elizabeth, but movies were the theater’s primary focus. Before the feature films would play, live entertainment was provided instead of the movie trailers you see nowadays. The Elizabeth had a ventriloquist named Harold Crocker, according to Falmouth resident, Beth Rainnie, “and some lady playing a piano or an organ, I can’t remember which.” She explained that the Elizabeth “was like a community gathering spot.” There were talent shows, parties, and school musicals performed there. She also fondly remembers the “Saturday matinee for 25 cents. Everybody went! It was a cheap afternoon off for all the moms in town. If it was a double feature, you could be at the movies for hours for 25 cents!”
            Falmouth resident, Margie Sabens, worked at the Elizabeth in 1967 and 1968 as a teenager. She sold tickets, candy, and popcorn, but her favorite part of the job was “making money watching movies!” It was always very busy and crowded. She described “the sound of the movie reel clacking while the movie played and sometimes the movie film would stutter or even break.” Sabens listed the many differences in the movie going experience half a century ago compared to now. There were no debit and credit transactions—only cash. An adult ticket cost $2.25 whereas now it is almost $10. Popcorn and drinks came in one size only; there were no options for “super-sized” snacks like today. She also recalls always having to wear a dress or a skirt—rarely pants. It was a dressy occasion to both work at and attend the movies.
            Despite the popularity of the Elizabeth, there were other thriving movie theaters in Falmouth toward the middle and end of the 20th century. The owners of the Elizabeth built another single-screen theater just on the other end of Main Street after World War II and called it the Falmouth Theatre. It sat 700 people and was only open during the summertime. While it did not boast a fancy balcony, it did take some business from its nearby competitor, the Elizabeth, because it had air-conditioned seating. According to residents, the seats themselves drew in crowds because they were much more comfortable than the Elizabeth’s.
            Not to be outdone was the Falmouth Drive-In, which was opened in June of 1954 by the Augusta family. It was located only minutes from the other two theaters, off Route 28 in Teaticket, but served as a very different movie going experience. The drive-in was also a seasonal theater. A large open parking lot, which had been the Teaticket airport, was where people parked to watch the movies on the big screen from their cars. Lopes described two different groups of people found at the drive-in on any given night: families and older rowdy kids. “All the older kids would be parked in the back, of course, and would have their lawn chairs and ‘beverages’ in the back of their trucks,” she said. There was also a concession stand that sold different snacks, including the memorable clam cakes. Rainnie said, “Everyone went to the drive-in for the clam cakes. They had the best clam cakes in town!”
maxwell350_350            In 1972, a fourth theater was established in Falmouth, a town of several small villages and less than 50 square miles. The Tranum and Ven Meter families of Falmouth together invested in building the Nickelodeon off of Route 151 in Hatchville. This theater had two original screens and specialized in independent and artistic films. Peter Rice, a longtime Falmouth resident, explained, “They used to play the artsy documentary and independent films there.” Rainnie added, “The Nickelodeon was out in the middle of no where and they had weird, artsy movies. At the time, no one used to really go there, it was more for the grown ups.”
            As television became increasingly more popular and affordable, people began to attend movie theaters less. Then with the advent of the VCR in the late 1960s, going out to watch movies became almost unnecessary. As the prices for home-use VCRs continued to drop in the 70s, renting videos became much more popular. Rice laughed, “Why leave your home to go watch a movie?” Videos became hugely competitive for small, independent theaters in Falmouth. Then after the Hoyts Falmouth Mall Cinema opened up in 1981 with its six-screen multiplex, a bleak fate was all that remained for those theaters that had been around for decades.
            The downfall of the independent theaters began with the drive-in. The Falmouth Drive-In closed down with its last summer of operations being one of the last summers of the 1970s. The Falmouth Theatre survived until about the same time. The Alferes family bought the theater building from the owner, James Wall, in 1978 under the conditions that it was no longer going to function as a movie theater. Instead, it was transformed into what it is today, Carpet Barn, a showroom and warehouse for carpeting and flooring. The family wanted to keep the building as original and authentic as possible because it is historic, they said. The ceiling, brick floor, brick exterior, slanted floor in the basement warehouse, women’s bathroom, loft where offices are now, holes in the wall where projectors would show through, and the wooden theater sign on the front exterior of the building are all original features of the memorable Falmouth Theatre.
            Then in 1980, Kinchla Real Estate bought the building where the Elizabeth gracefully stood for more than half a century. At the time, it was free standing. Now small shops and restaurants decorate all of Main Street and are connected to one another. Realtor James Kinchla, whose father purchased the building over 20 years ago, said, “One-screen theaters just didn’t work anymore in the economy of the business.” Three years after the real estate company bought the building, it went out of business and “closed forever.” Kinchla remembers the theater was being renovated after it had closed, and “people cut small pieces of the silver screen off as souvenirs.”
            Just a few years ago, the Falmouth Mall Cinema went out of business too. Even the multi-screen theater with its Hollywood hits and pricy popcorn could not stay afloat in a new era of On-Demand and DVR. Currently, the only movie theater in town that is still up-and-running is the Nickelodeon, still featuring primarily “indy” films. If you drive down Route 151 on a weekend or rainy day, you'll pass the theater and see that the parking lot is always full. The only difference now is that it is owned by Regal Cinemas, a major theater chain in the area.
            Falmouth is entering an entirely new movie going experience, though, in that very location where the chain Mall Cinema pushed all the smaller ones out of business. The Falmouth Cinema Pub is being constructed and is expected to open this spring. This theater will feature wine and beer, dinner, and a film—all at the same time and in the same place! While this new “wine ‘n dine” theater certainly does not resemble the old Elizabeth where Sabens once sold tickets and snacks to crowds of well-dressed movie goers as a 15-year-old, she admits,“It is worth a try.”

Tuesday, March 6, 2012

Beach rose inn

About the Inn

The Beach Rose Inn circa 1900
The oldest section of the house at 17 Chase Road was built in 1863 by James Gifford (1835-1882) as a wedding present for his bride, Charlotte Lumbert (1842-1914).  It is thought that James' older brother, Charles Henry Gifford, who lived at 765 West Falmouth Highway, also known as 28A, was probably the builder.  James was also a carpenter, so it can be assumed that the two worked on the house together.  Both James and Henry were sons of Joseph and Dorothea Gifford who lived nearby at 25 Chase Road. 
According to Between the Forest and the Bay: A History of West Falmouth as Revealed in Its Historic Buildings and Landscapes by Candace Jenkins, the core of the house was originally a one room deep, four bay 3/4 Cape.  The picture above shows the house as it appeared at the turn of the 20th Century with the addition of an unusual winged veranda with end pieces that angle outward.  In the early 20th Century, the verandah was enclosed with transomed windows which still exist today.  The wing on the left is now The Falmouth Suite.  And the wing to the right is part of the Sun Porch.
After the deaths of two children in infancy, Charlotte gave birth to a daughter, Nettie, who would be their only child to reach adulthood.  During a recent renovation which removed an old bathroom, a child's shoe was discovered in the wall which appeared to be from the late 1880s. We assumed that this shoe once belonged to Nettie and after extensive research at the Falmouth Historical Societywe learned it was an old folk tradition to place a child's shoe, known as 'concealement shoes" in the wall to ward off evil spirits.  Nettie's shoe now graces the new entry, along with a copy of an article about the shoe written for the Falmouth Historical Society Newsletter. 
The Gifford Family, like many families in West Family, were Quakers.  The graves of James and Charlotte can be found in the Friends Burying Ground on 28A next door to the Friends' Meeting House, just down the street from their home.
Since the time of the Giffords, the home has seen many caretakers.  We know that it was a guest house as early as the 1930s thanks to an elderly gentleman who stopped by one day and told how he mowed the lawn at our Inn, which was known as "Mrs. Landers Guest House" when he was a young boy.  In the 1960s, it became known as the Sjoholm Guest House, a name which remained through multiple owners until 2001 when it became The Beach Rose Inn.  We became the current Innkeepers when we fell in love with and purchased the property in 2006.
Over the years, each owner has added their personal touch to the property. Today, The Beach Rose Inn sits on 1.4 acres and consists of the original Main Inn (which has undergone several additions), a two-bedroom Cottage, and The Carriage House, with four guest rooms and a soon-to-be-renovated second floor.  Current guests can appreciate the Inn's historic features, while they enjoy the modern amenities of a private bath for every room, tranquil patios and koi ponds, and WiFi.

Sunday, March 4, 2012

Capt Joe Miron

Captain Joe Miron

Boy, talk about a mysterious character.

"Captain" Joe Miron was a bit of a mythic figure when I was younger. He was an artist, and a bartender. He painted the semi-famous mural on the wall of the Captain Kidd tavern in Woods Hole. I remember seeing him walking the beach in Falmouth Heights. Miron died many years ago, but I've suddenly gained a bit of a renewed interest in the man and his work because of two facts I've just discovered:

*Miron also painted the mural on the wall of the legendary Kelly Square Yacht Club, one of Worcester's oldest bars.


(The Kelly Sqare Yacht Club, part of the Hotel Vernon, is on the first floor of the yellowish building seen in this picture.)

*The other interesting fact: Carly Simon is a huge fan of Miron's art and an avid collector of his stuff.

The thing is, there's almost nothing on the internet about him. There's ANOTHER Joe Miron, who is apparently a sex advisor, which makes for some interesting search results, but next to nothing on the original Captain Joe. 

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 My name is Alfonce Bombz. 
I am directing a documentary film about a land locked Yacht Club in Worcester, MA - Kelley Square Yacht Club. The Club is actually a nautical themed, century old transient hotel, with connections to many unique artists from the ealry part of last century.

One of my main characters is Captain Joe Miron, a painting bartender / pirate. Cap'n Joe would sail to the Bahamas with the legendary Burl Ives, aboard Ives' sloop, The Abaco Queen. They two would stay in Abaco, where the Ives family still owns property (I believe). 


Cap'n Joe would also tend bar the the Royal Victoria Hotel in Nassau.

I am seeking any information about Burls' sloop The Abaco Queen, The Royal Victoria, Captain Joe's Peace and Quiet Bar.... 
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Falmouth lost an exemplary woman in recent days. Mique Burkett gave so much during her 80 years on this earth, much of which few knew. The sad thing is, she was not through spreading her sincerity, compassion and love. Bringing up a family of five, almost single-handedly, she was a mother beyond the meaning of the word, adored by her children and grandchildren, and a trooper to the end.
Following in the footsteps of her noted father, Joe Miron, she was a gifted artist. But, what never became common knowledge was her way with the written word. She was a genius without portfolio.
I was so touched by her son Joesph's eulogy. Apparently, about a year and a half ago, Joe told his mother he had been selected as the appointed spokesman when she passed away, and wondered what she wanted him to say. ''Just tell them how great I was,'' she answered with her usual keen wit. And so he said. ''Mom, I'm going to make you look really good.'' He didn't need to, for we all knew that.
As the song ''When Irish Eyes are Smiling'' was played at the conclusion of the funeral Mass, there were not many dry eyes in the packed pews at St. Patrick's Church.
2005
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